© 2018 Christy K Robinson
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Photos by
Roy Hackford, used by permission. Click to enlarge photos.
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| Church of St. Denys, view from southwest. |
It’s fascinating to learn the history of a place or a building that we
see as a static, finished piece of fabric, and realize that it’s been changing
for a thousand years or more, as generations of people have come and gone. It will continue to change during our lives and after we're gone.
The village of Kirkby La Thorpe, Lincolnshire, was the birthplace of William Dyer, 1609-1677, the polymath and accomplished man who married Mary Barrett Dyer.
Whether or not you're related to anyone who lived in this sleepy English village, it's enlightening to learn that what happened to this church also happened to large and small churches all over the British Isles for your ancestors. Churches were built and altered and enlarged in stages, and it's fair to say that those changes were part of the fabric of our ancestors who sent their experiences and DNA down the years to all of us.
The village of Kirkby La Thorpe, Lincolnshire, was the birthplace of William Dyer, 1609-1677, the polymath and accomplished man who married Mary Barrett Dyer.
Whether or not you're related to anyone who lived in this sleepy English village, it's enlightening to learn that what happened to this church also happened to large and small churches all over the British Isles for your ancestors. Churches were built and altered and enlarged in stages, and it's fair to say that those changes were part of the fabric of our ancestors who sent their experiences and DNA down the years to all of us.
The church
in Kirkby La Thorpe
The church of St. Denys (a martyred evangelist) is listed as Grade
II*, included among “particularly important buildings of more than
special interest.” At this time, in 2018, the church is closed to services and
undergoing repairs, so when Roy Hackford, a Lincolnshire history buff, agreed
to take interior photos for me if he could get the key, he found it cluttered
with boxes and banners, chairs askew, kneelers pushed aside, and the curtains slung
over the rood screen. These photos are the first interior views available,
ever, on the internet. (I’ve searched for interior shots for more than 10
years, trust me!) So please look past or through the repairs and painting
supplies, to the “bones” of the ancient building, and send good thoughts to the
parish, in hope of a day soon, when the church is once again the center of
peace and beauty. It would be wonderful to have a pictorial update.
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| If this is the same church key used 400 years ago, it was held by William Dyer the Elder, the churchwarden. |
Who lived in Kirkby La Thorpe:
- William Dyer the Elder, and his wife (unknown name at this time). He was a yeoman farmer (meaning he owned property instead of being a tenant) and churchwarden (he was literate) of Kirkby La Thorpe in 1609-1610. Birth and death unknown.
- Son, Nicholas Dyer, born 1606.
- Son, William Dyer, baptized September 19, 1609 in the church of St. Denys on Church Lane. Probably attended the Carre School in Sleaford, took London apprenticeship in 1624; married Mary Barrett in 1633; emigrated to Massachusetts in 1635; co-founded Newport, Rhode Island 1639; became clerk, secretary of state, recorder, general solicitor, first attorney general in all of America, naval commander in Anglo Dutch War, etc.; haberdasher, mariner, farmer, father of seven; died 1677 in Newport, RI.
- Daughter, Margret Dyer, born about 1610.
Kirkby La Thorpe is a village on the Boston Road between Sleaford and
Boston, Lincolnshire. It’s a linear village (along a single road) in the
fenlands of eastern England, with houses built along a low ridge. The church of St. Denys, at the
end of Church Lane, is the highest point, which makes sense as a place of
refuge in times of flooding.
The village has existed at least since Iron Age times, and there was a
Saxon settlement, seen in ditch and bank earthworks across the road from the
church. There may have been three medieval manors in this parish, according to
the Domesday Book. The nearby fields have ridges and furrows called selions,
that remain from medieval partition of farmlands, and their plowing practices.
 |
| Page of the Domesday Book, Lincolnshire folio, where Kirkby LaThorpe is the first entry. |
Households
- Households, 61, including 5 villagers. 14 freemen. 5 smallholders.
Land and resources
- Ploughland: 4 ploughlands. 1 lord's plough teams. 3 men's plough teams.
- Other resources: 0.5 churches.
Valuation
- Annual value to lord: 8 pounds in 1086; 4 pounds in 1066.
Owners
- Tenant-in-chief in 1086: King William I.
- Lord in 1086: King William.
- Lord in 1066: Earl Morcar.
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| Photo © Christy K Robinson |
The chief businesses were the wool industry, fowling (waterfowl for
meat and feathers), and agriculture. Today, there are crops and seed companies
still in the area. If you’ve seen images of “fields of gold,” as in the song by
Sting, you’re seeing the yellow flowers of the rapeseed plant whose seeds
become feed for animals and canola oil for humans. The town of Boston, about 15
miles to the east, was the port through which wool was exported to weavers in
the Netherlands and Flanders in medieval and renaissance periods.
Once upon a
time
At various times after the Norman Conquest in 1066-67, the church in
Kirkby La Thorpe belonged to Earl Morcar; and 20 years later, King William I
and the Bishop of Durham shared revenues in equal portions.
It is suggested that there was a high
status pre-Conquest church in Kirkby la Thorpe, due to the place-name and the
presence of Saxon sculpture. The 'kirk' element of the name is normally that
given by the Danes to villages in which the Danes found a church on their
arrival, which suggests that there was an important pre-Conquest church in
Kirkby. Paul Everson and
David Stocker. 1999. Corpus of
Anglo-Saxon Stone Sculpture. Lincolnshire. page 74. https://www.lincstothepast.com/St-Denys--church-and-churchyard/239393.record?pt=S
There were two churches in Kirkby’s area, but the church of St. Peter, which may have had a monastic function,
was closed in 1593, sixteen years before William Dyer was born. It was
demolished in 1637, the year he was disfranchised in Massachusetts Bay and Mary
had the anencephalic fetus.
Description
of church interior
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| View of the nave and tower arch from the chancel. |
The nave is the largest space of the church building, and it’s where
the pews or chairs are set (for the last 400 years). From the 16th
century and back, the congregation stood for service or Mass. On 16 October 1246, King Henry III
granted a market and fair to the Hospitallers at the Kirkby manor, and the fair
was held annually on 25 July at the manor. However, church naves in many towns
were the place to strike deals, buy and sell livestock, and a community
gathering place for social events, proclaiming the will of the government, and
organizing workers for the strip farms in the area. That’s a good reason to
screen the chancel and altar from the nave. They didn’t consider the often-secularly
used building to be the “church,” in the biblical sense of church. The church
was the people.
On the south wall of the nave (the good side, not the demon side),
there is a 13th century piscina, a basin built into the wall where
holy water was kept, to cleanse the plate and cup used for the Eucharist. This
one has a plain, pointed arch molding around it.
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| The 1925 organ is in the north aisle. You can see the romanesque (Norman) arches and pillars behind the Victorian-era pews. |
A four-bay arcade (meaning four arches along the sides of the nave,
where the congregation stood or sat) is “transitional,” a period between Norman
and English Gothic. The arcade arches are almost round, indicating a Norman
origin. The pillars and capitals are round and currently undecorated, though they
may have been brightly painted in medieval times.
There is a north aisle on the other side of the arcade, and on the exterior, there are buttresses to
carry the weight of the lead roof down to the ground. The small pipe organ in
the north aisle is a “Premier” Organ built in 1925 by Cousans, who say that "These models were particularly popular in smaller churches because of their small dimensions but big sound."
The church was restored in the 19th century, and much of
the stone floor looks very plain, compared to hundreds of other churches this
old. It was probably originally tiled in four-inch black and red ceramic tiles
as seen all over the UK, and many clerics and local
people would have been buried in a sub-floor crypt, facing east toward Christ’s
second coming.
In fact, Roy told me that some of the stone slabs in the center aisle and chancel had faint inscriptions on them, made illegible by hundreds of years of foot traffic. This, too, is common in large and small churches. In-church inhumations were discontinued (except by special license) in the 19th century because of decomposition smells and the fear of disease.
An oak prayer desk (as distinguished from the lectern and the pulpit) sits on the step of the chancel, under the nook where the rood screen stretched across the chancel. A description calls the desk "made
from C14 bench ends decorated with blank cusped panels and fleur de lys
terminals." I haven't seen when the desk may have been built, but perhaps during a renovation of the mid-19th or early-20th century.
In fact, Roy told me that some of the stone slabs in the center aisle and chancel had faint inscriptions on them, made illegible by hundreds of years of foot traffic. This, too, is common in large and small churches. In-church inhumations were discontinued (except by special license) in the 19th century because of decomposition smells and the fear of disease.
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| View of the nave (foreground), chancel and pulpit (right), north aisle with early windows (left), and oak prayer desk beneath the niche for access to the rood screen (center). |
Memorials
There are painted-glass windows to the memory of Rector John Gorton
and Alfred Anders, as well as a brass plaque for Maria Adamson. Although the painted glass is dated to the 1911 restoration of the chancel, the east window of the north aisle is said to contain bits of medieval glass.
A glassed and framed print remembers the service of local men in the Great War (WWI). There’s a pedimented ashlar wall plaque to William Willerton, d.1845. In the reveal of the chancel south window, a small rectangular brass plate records the charitable donations of the Rev. Thomas Meriton, d.1685. If there were ever medieval effigies in a village parish church like St. Denys, it’s doubtful, because they’d have preferred grander churches like St. Andrew’s in Ewerby, or a church in Heckington, Sleaford, Boston, or Lincoln.
A glassed and framed print remembers the service of local men in the Great War (WWI). There’s a pedimented ashlar wall plaque to William Willerton, d.1845. In the reveal of the chancel south window, a small rectangular brass plate records the charitable donations of the Rev. Thomas Meriton, d.1685. If there were ever medieval effigies in a village parish church like St. Denys, it’s doubtful, because they’d have preferred grander churches like St. Andrew’s in Ewerby, or a church in Heckington, Sleaford, Boston, or Lincoln.
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| St. Denys churchyard near the porch. |
Outside, there are numerous slate headstones, but the earliest
inscriptions to be seen date back to the early 1800s. The church website notes
that there is still plenty of space for burials in the churchyard. And because
the church site is more than a thousand years old—perhaps 1,400 years—there are
probably hundreds of unmarked burials outside, and some under the church floor.
We don’t know what happened to William Dyer’s immediate family after
his sister Margret was baptized in 1610. There are no more records. They may
have died in a plague, lost their land in economic upheaval of the era, or sold
up and moved away. But it’s also possible that the churchwarden and his wife
are buried in or just outside the church of St. Denys.
South door
and porch
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| Wooden south door to the church, with rounded Norman-era arch overhead. The arch may be 1,000 years old. |
The south door of the church has a Romanesque, barrel-shaped tympanum
over the door, which was common in Norman churches of the 11th and
12th centuries. Couples were wed in the doorway of a church, then
moved inside to the altar rail to take Mass or Communion. To the right of the
wooden door is a niche called a stoup where people dipped their fingers into
holy water before entering.
Church
tower
St. Denys’s west tower is not tall, but it has crenellations at the
parapet that make it look like a defensive castle wall. It also has four
crocketed pinnacles for decoration. On the south face is a two-light 16th
century window. On the west is a three-light tall window from the 14th
century which provides light to the tower’s interior. Also on the west face,
below the molding between the first and second stages of the tower, are two
fragments of 10th century (that’s right—the 900s!) two-strand
interlacing carving, which may be pieces of the arms of a Saxon cross or
gravestone. (I’ve zoomed in on the tower, and can’t make out the carving, which has had a thousand years of weathering.) An 1872 gazetteer of the county says that the tower had three bells.
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| The west and south aspects of the tower. |
Saxon Christians developed the square church towers we expect to see
on very old English churches. If the Danes came raiding, the tower could be
used as a lookout, and villagers could take refuge in the strong stone tower,
much like a castle keep. When the Normans invaded and conquered in the 11th
century, they burned wattle-and-daub structures, but used the massive stonework
of the square church towers, or copied their style. John Marshal, in the 12th
century, was injured by melting roof lead that dripped down on his face while
he was defending a church tower from the military forces of King Stephen.
Other architectural historians discredit the defensive theory, saying
that there are church towers in valleys, or places where a watchtower was of
little value, and the battlements (like St. Denys’s crenellations and crocketed—decorated
with hook-like ornaments—spires) were made several centuries later than the
shaft and base of the tower.
So square stone towers may have been defensive, landmarks for travelers, lookouts,
or simply held a bell or two to mark time, toll for funerals, or call an alarm.
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| Blocked door on north exterior of church. |
The devil’s
door?
This doorway on the north side of St. Denys is blocked up with stone,
matching many churches around the UK. One pre-Reformation medieval belief was
that the north side of a church was cold (it was shaded, of course, in winter),
and that no one good was buried on the north side of the church, being a less
desirable burial place for dodgy people like criminals, the very poor, or
illegitimate children. At baptisms, with the font located at the back of the
church, the custom was to open both the south and north doors, so any evil
spirit that came out of the baptized infant would fly out the north door as the Holy Spirit entered the baby through the warm, sunny south door. This
part of the baptismal service in the 1549 Book of Common Prayer pinpoints that belief:
I COMMAUNDE thee, uncleane spirite, in the name of
the father, of the sonne, and of the holy ghost, that thou come out, and
departe from these infantes, whom our Lord Jesus Christe hath vouchsaved, to
call to his holy Baptisme, to be made membres of his body, and of his holy
congregacion. Therfore thou cursed spirite, remembre thy sentence, remembre thy
judgemente, remembre the daye to be at hande, wherin thou shalt burne in fyre
everlasting, prepared for thee and thy Angels. And presume not hereafter to
exercise any tyrannye towarde these infantes, whom Christe hathe bought with
his precious bloud, and by this his holy Baptisme calleth to be of his flocke.
The devil's door, which in some churches was as small as 18 inches across, was blocked up after the English Reformation to discourage the superstition.
Update: in 2020, I read in one Facebook group that the Devil's Door information is false. However, the information is easily found in books and on signboards in large churches (such as in Bristol). You can judge for yourself.
The two
fonts
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| The older, 14th century font: 700+ years of baptisms! |
A font is a stone basin on a pedestal, where infants are baptized
either by immersion or anointing. Fonts are usually placed at the
back of the nave, where the baby begins the journey of the Christian life,
ending at the chancel with the altar and the Eucharist (Communion).
In St. Denys, there are two fonts, both octagonal. At the moment, one
font is in the back of the church, and has a flat cover added in the 18th
century. The stone font is said to be 14th century (during the reigns of
Edward II and III and the visitation of the Black Death), with cusped square
panels containing blank shields. Perhaps the shields were painted when new.
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| The "younger" font is still 600 years old. |
The other font is 16th century (the reigns of Henry VIII,
Edward, Mary, and Elizabeth), and has a conical wood cover. It is set in the corner
of the north aisle near a heater. It has blank traceried panels and sunk
spandrels, plain shields and quatrefoils to the stem. Quatrefoils look like
four-leaf clovers and represent the four Evangelists of the New Testament:
Matthew, Mark, Luke, and John. They also symbolize good luck.
One font would have belonged to St. Denys's church, and the other is from St. Peter’s church that had been closed in the late 1500s. The St. Peter's font was, according to an old historical account, "long used as a sink in a small farm house, but has now been
rescued from such degradation and stands in front of the parish school-house as
a reminiscence of the lost church." Update that to show that the font is now in the care of St. Denys church.
There’s no way to
know which was in use when William Dyer was baptized in September 1609, or his
older brother’s and younger sister’s baptism. It's
possible that the congregation leaned toward the Puritan faction of the
Church of England. They believed in infant baptism, but Puritans may have
altered the service from the Book of Common Prayer liturgy. Whether Puritan or CofE, we can imagine his father the churchwarden, (perhaps his
mother, but not likely), the minister, the godparents, and the parish members
standing in a circle around a font, saying the baptism service in the Book of Common Prayer.
And then the Godfathers, Godmothers, and people,
with the children muste be ready at the Church dore…
DEARE beloved, forasmuche as all men bee conceyved
and borne in sinne, and that no manne borne in synne, can entre into the kingdom
of God (except he be regenerate, and borne anewe of water, and the holy ghost)
I beseche you to call upon God the father through our Lord Jesus Christ, that
of his bounteouse mercy he wil graunt to these children that thing, which by
nature they cannot have, that is to saye, they may be baptised with the holy
ghost, and receyved into Christes holy Church, and be made lyvely membres of
the same.
Here shall the priest aske what shall be the
name of the childe, and when the Godfathers and Godmothers have tolde the name,
then shall he make a crosse upon the childes forehead and breste, saying.
Receyve the signe of the holy Crosse, both in thy forehead, and in thy
breste, in token that thou shalt not be ashamed to confesse thy fayth in
Christe crucifyed, and manfully to fyght under his banner against synne, the
worlde, and the devill, and to continewe his faythfull soldiour and servaunt
unto thy lyfes ende. Amen.
[More…]
Ceiling and roof
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| View of the chancel window and wood ceiling over the nave. |
This church is in "a most lamentable condition," to use the words of the Bishop of Nottingham, the roofs in particular requiring prompt attention.
The architectural surveys I read never mentioned the ceiling of the
church, but Roy Hackford’s photos show nicely finished rafters and joints that
look to be in excellent and uniform condition, so they must have been rebuilt
or restored.
The roof consists of lead tiles over the chancel, and tile over
the rest of the building. (That’s why it looks like there are two roof styles
in exterior photos.)
Rood
screen, stairs, loft
The rood screen in St. Denys was carved wooden openwork stretching
across the opening to the smaller chancel, from the nave. In medieval times, it
may have been painted or gilded, with a crucifix of the Suffering Christ, and
possibly small statues of saints (like St. Denys, for instance) or apostles. Its
purpose was to separate the altar with its sacred objects from the non-clerical
people. During the Lenten period, the rood was veiled, then revealed for Holy
Week, when the Passion story was read to the congregation.
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| The 13th century rood screen is inside the tower. It once separated the chancel from the nave. |
The 13th century wooden screen is now installed at the tower arch at the rear of the nave. It seems to be used as a curtain rod to hide the opening to the tower. Many churches I’ve seen use the floor of the tower to store music, Sunday school materials, or cleaning supplies.
Most roods, whether stone or wood, were destroyed in the English Reformation
iconoclasm and the Civil War a century later, but perhaps Kirkby La Thorpe was
such a small parish that it was missed by soldiers.
William Dyer the landowner and churchwarden and his family have been obscured over time, except for the legacy to his remarkable son William, whose countless thousands of descendants are nearly all Americans.
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| The northeast view of St. Denys includes the blocked-up devil's door, the north aisle, the buttresses that support the lead roof, and the north side of the tower. Before the English Reformation, the north side of the church was the undesirable place for burials. Most people now wouldn't know that. But you do! |
**********
Thanks from this author, and the thousands of modern friends and
descendants of William Dyer, go to Roy
Hackford, who generously agreed to travel from his home in Boston,
Lincolnshire, to Kirkby La Thorpe, and take photos on a lovely spring day. He
scanned the images and emailed them to me in high resolution, which meant that
I could zoom in on certain features and crop them for this article.
Also, thanks to Rev. Valerie Greene, MA, the rector of St. Denys, for opening the church to Roy for photographs after I emailed her for permission.
Also, thanks to Rev. Valerie Greene, MA, the rector of St. Denys, for opening the church to Roy for photographs after I emailed her for permission.
**********
Christy K Robinson is author of
these books:
We
Shall Be Changed (2010)
Mary
Dyer Illuminated Vol. 1 (2013)
Mary
Dyer: For Such a Time as This Vol. 2 (2014)
The
Dyers of London, Boston, & Newport Vol. 3 (2014)
Effigy
Hunter (2015)
And of these sites:
Discovering
Love (inspiration and service)
Rooting
for Ancestors (history and genealogy)
William and Mary Barrett Dyer
(17th century culture and history of England and New England)
"A must for medieval lovers."
